It’s the Beginning that Matters

How you begin a story matters. For example, in a time long ago, in a galaxy far, far away– but such a beginning takes us into the wrong story. Let me try again. Now, what is it? Ah – here it is – to boldly go where no one has gone before – still the wrong story. What about – once upon a time there was – no, no, no, this won’t do either.

Let’s try again.

In the beginning was the Word… and the Word was with God, the Word was God. Through the Word all things came into being …
What has come into being was life… and this life was the light of the world.
The light shines in the darkness, and the darkness did not overcome it.

Now that feels right.

We are fortunate that the New Testament provides more than one doorway into the mysterious story of the Incarnation, the term we use for the event in which God wishes to become recognizable in the world as a human being acting through human agency.

On Christmas Eve, we come to hear the good news of our Savior’s birth. In some churches, it will be enough to bathe worshippers in a warm bath of a manger scene nostalgia, of shepherds, angels, and, eventually, wise men. In others, however, something edgier will be offered – capable of speaking the good news of our Savior’s birth into the pain and chaos of the world in these times.

Yet, John begins: “In the beginning was the Word.”

Using the phrase “In the beginning,” John echoes the opening verses of Genesis, which, like a cinerama, opens onto a wide screen filled with a deep darkness, with the only sound – the ghostly haunting sound of the divine wind sweeping across the face of the dark.

Then, suddenly, a pinpoint of light appears.

A flicker at the heart of the darkness of the deep.
A pinpoint of light expanding at phenomenal speed -piercing the darkness—bringing order out of chaos, life out of light.

In the phrase: In the beginning… John takes us back to before Bethlehem, before shepherds, angels, and mangers; before wise men, before an infanticidal king; before flight into refugee exile.
John takes us back to the moment of the Big Bang, when all that exists emerged from within the self-contained life force we know as the Creator or the Prime Mover.

Genesis pictures the emergence of a single point of light breaking open the deep darkness. John has a word for that light. He calls it the Logos, which literally means “that which speaks forth God.”

In English, we translate logos as the Word. The Word is the communicative life of God.
The Word is God speaking into the void—speaking order, organizing structure, creating meaning. The Word is the light of divine life, shining out from the heart of the darkness.

And here John makes his crucial point: he identifies Jesus as the very Word of God, speaking forth into the darkness of the primeval void as light shining in the darkness. Of this light, John tells us the darkness is powerless to overcome.

Listen again to his opening lines:

In the beginning was the Word… and the Word was with God, the Word was God. Through the Word all things came into being …
What has come into being was life… and this life was the light of the world. The light shines in the darkness, and the darkness did not overcome it.

At Creation, the Word spoke forth the light of life into a formless universe. In the Incarnation, that same Word spoke forth the divine self into a human life.
The Word became flesh and now dwells among us, full of grace and truth.

Let’s pause.
Let this settle in you.

On this Christmas Eve, we come seeking comfort and solace—a brief respite from the world’s tribulations. We find comfort in familiar memories of Christmas past. 

In 1849, the Reverend Edmund Sears, a New England Unitarian minister, wrote the poem It Came Upon a Midnight Clear.

What’s striking is that Sears doesn’t situate Christ’s birth in its ancient context of the stable scene.
He situates the birth of Jesus in the turmoil of his own day, turmoil weighing on his heart.

He pictures a moment of solemn stillness amid the world’s cacophony, as humanity strains to hear the angels’ song of peace, always at risk of being drowned out by the noise of human strife.

Speaking of the angels’ voice, Sears delivers his prophetic line:

Yet with the woes of sin and strife
The world has suffered long;
And man, at war with man, hears not the love-song which they bring;
O hush the noise, ye men of strife,
And hear the angels sing.

How contemporary that sounds to us.

We celebrate Christmas this year amidst rancor and bitterness here at home. All around us, the fabric of the Republic – its laws, its Constitution, its government frays under the assault of authoritarian forces.

And abroad against the backdrop of heart-rending violence in Ukraine, in the Holy Land, we behold that Bethlehem itself—once a symbol of holy joy—stands darkened in protest and grief amidst the unspeakable settler violence being unleashed against Palestinian farms and villages in the West Bank. Bethlehem is darkened in mourning for the destruction of Gaza and the dreadful plight of its people.

Sami Awad of Nonviolence International put it succinctly:

What Bethlehem offers today is not reassurance, but clarity. People here are celebrating not because the “war in Gaza” is over or we are ignoring our reality but because it is what we have left in our resilience. 

To meet the challenges and seize the opportunities in our world, we must first find the right story – with the right beginning. We must situate the birth of our Savior in the context of our present lives, as the story of the light of life penetrating the deepest reaches of the darkness that enshrouds us. So that, like the people of Bethlehem, our celebration, rather than ignoring reality, flows from the source of our resilience.

The French saying captures the irony: Plus ça change, plus c’est la même chose.
The more things change, the more they remain the same, or as ordinary Frenchmen and women today say, no matter who you vote for, the government still gets in.

So many of us feel pulled toward despair by the course of world events. And into that despair, John’s Prologue speaks the word we most need to hear.

Here is the most startling truth of Christmas that in the human life of Jesus, the divine Word, the divine light, takes flesh and blood to dwell among us, full of grace and truth.

And here is the challenge:
John tells us not whether this light is real, but whether we choose to recognize it or not.

Forget belief for a moment and focus on the exercise of choice. Do we choose to allow the light of life to shape our lives? Coming back to belief, it’s not whether this happened as described, but whether we give this story the power to remake us.

And this is what requires courage.
Courage to believe in the face of everything that whispers despair.

Many of us feel as though we’ve fallen into the primordial deep—
where the darkness is thick and the sound of hope feels faint.
In such moments, how easily we forget the central truth:

Darkness is not the enemy of the light. Darkness is the fuel the light consumes to shine even brighter.

This is the defiance of Christian hope.
No matter how dark things become…
no matter how relentless the headlines…
darkness cannot extinguish the light.
 For:

The light shines in the darkness, and the darkness will never overcome it.

Renewed by that hope, we have work to do.
The work of aligning ourselves with God’s ongoing restoration of creation.
The work of preparing the world to receive Christ’s eventual return in glory – the Advent metaphor for the completion of God’s dream in the full restoration of creation.

How do we begin?

We begin with cherishing the light that burns within each of us.
By sharing that light.
By pooling our individual lights until they become a radiance strong enough to push back the encroaching shadows around us.

Given the state of the world, perhaps “merry” isn’t the word that fits this Christmas.
But resilient, hope-filled might be.
Hope-filled, because the light still shines.
Hope-filled, because the Word has taken flesh.
Hope-filled, because the darkness will never overcome us.

Amen.

Dreaming Joseph

Image: The dream of St Joseph. Bernardino (Bernardino de Scapis) Luini (c.1480-1532)

This year, we return to Matthew as the gospel of choice in the three-year Lectionary cycle. Thus, Advent IV’s gospel opens with Matthew’s account of the events leading to the birth of Jesus. Matthew structures his birth narrative around themes specific to him. I want to offer a very personal take on Matthew’s understanding of the significance of Jesus’ birth.

For most of us, our sense of the nativity narrative emerges from an often unconscious compilation of Luke and Matthew, giving us the typical manger scene depicted in countless churches and nativity plays. In doing so, we miss the significance of each Evangelist’s distinctive portrayal of the events surrounding Jesus’ birth.

Luke’s focus is on Mary. His birth narrative is Mary’s story, depicting a birth in farmyard conditions surrounded by sheep and cattle and witnessed by ordinary shepherds – representative of those on the margins of society – and of course, let’s not forget the angels.

Matthew’s version of events gives us Joseph’s story – the story of Jesus’ birth told from Joseph’s perspective. Matthew does not mention the setting. Here, there are no shepherds, no cattle or sheep. This is a birth witnessed not by ordinary people but by foreign emissaries – the Magi – representatives of the wider world’s homage to the infant king of the Jews. Matthew also has an angel, but Matthew’s angel appears not to Mary, as in Luke’s account, but to a dreaming Joseph.

The first point to notice in the Matthew chronicle is the importance of establishing Jesus’ identity within the long genealogy that extends back through Jewish mythological time to Abraham. Matthew spends 17 verses of his 25-verse first chapter to do this. So we notice from the outset how intensely a Jewish story this is.

The second point to note is that Matthew’s story is highly political, situating the birth of Jesus within the turbulent political context of 1st-century Palestine. Here we have all the ingredients for a tense political drama – a brutal ruler in Herod the Great, the puppet of Roman occupation, whose murderous intent drives the Holy Family into exile as political asylum seekers. The Holy Family escapes, but every other-year-old male child born in the region of Bethlehem is slaughtered as Herod, alerted by the indiscretion of the Magi, endeavors to neutralize Isaiah’s prophecy of the birth of a rival king.

Matthew’s is a rich narrative, one that sets the birth of Jesus within a political context entirely familiar to us today in a world where literally millions of fathers and mothers with young children are daily forced to undertake the perils and dangers as refugees escaping in fear for their lives. And, Matthew’s birth narrative provides a contemporary flavor of the political and humanitarian themes embedded in his account. Matthew sets Jesus’ birth within the context of political oppression and of a ruler’s desire to seek out and punish anyone who poses a threat.

Matthew’s birth narrative also hints at the societal complexities of Joseph and Mary’s predicament. Matthew will go on to describe the holy family’s displacement and flight from political violence, but he must first skillfully navigate 1st-century Jewish societal reactions to surprise pregnancies out of wedlock.

Matthew’s approach to the Jesus story is told from within the Jewish patriarchal worldview of the men in charge. I have an intense personal unease with this feature of his approach. As a gay man, I learned early to fear the power of the patriarchy and to be deeply suspicious of the presentation of scripture through the exclusive lens of the men-in-change, in whose worldview there was no place for someone like me.

Richard Swanson is – at least to my way of thinking – a delightfully provocative biblical commentator who never misses an opportunity to take the patriarchal voice – that is, the traditional interpretation of scripture from the restrictive perspective of the men-in-charge – down a peg or two. Swanson coined the delicious phrase Holy Baritones to describe scripture’s patriarchal voice. My not infrequent uneasiness with Matthew’s voice is that, at times, he seems to me to epitomize the role of section leader in the Holy Baritone chorus.

It’s only in verse 18 that Matthew turns to the birth of Jesus. Having, as I’ve already noted, spent the first 17 verses of his 25-verse first chapter establishing Jesus’ identity at the heart of Jewish patriarchal transmission. Matthew writes:

When his mother Mary had been engaged to Joseph, but before they lived together, she was found to be with child.

In a society with a strict prohibition against sex before marriage, which by the way is a central convention in all patriarchal societies, including our own until relatively recently, Matthew chooses to introduce the birth of Jesus by telling us that Mary was found to be with child.

Was found to be is a grammatical structure known as the divine passive. It’s a way of telling us that so and so happened while obscuring causality. For the Hebrew writers, it was a way of indicating that something had occurred by the hand of God without invoking the name that could not be spoken. Matthew makes clear that Mary’s pregnancy is the result of God’s hidden hand. Still, unlike Luke’s portrayal of a direct encounter between Mary and the Archangel Gabriel, in which God addresses Mary directly and respects her primary decision-making agency, the thrust of Matthew’s narrative suggests that, once Mary’s pregnancy is discovered, she no longer has any agency, with all decision-making reserved to Joseph.

Matthew presents Joseph in a predicament. His reputation, through no fault of his own, is endangered by this turn of events. A kindly middle-aged widower with a teenage betrothed, he is resolved to end the engagement quietly. What a mensch! But here’s my problem with Matthew’s Joseph-focused version of events. In a religious society with draconian laws against sex before marriage, Joseph’s risk is one of public disgrace. Still, Mary risks honor killing by being stoned to death – in the first instance by her father – and if he could not bring himself to do the deed, then by another male relative – an uncle, or brother, or male cousin conveniently waiting in the wings. The reality of honor killing is a nasty detail that the Holy Baritone voice skips over in silence.

So how is Joseph to be extricated from his predicament of being betrothed to a girl who has now been found with child. Matthew rescues Joseph through the tried and trusted literary device of an angel appearing to him in a dream, telling him not to be afraid. Afraid of what we might ask? – if not a reputational disgrace. The angel instructs Joseph to proceed with the marriage because it is God who has caused Mary’s pregnancy. On waking, Joseph dares to do as the angel had commanded him. After all, what’s social opprobrium when compared with divine displeasure?

We might expect Matthew to end his chapter here. Joseph the mensch rescues his betrothed by marrying her. But as a cheerleader for the Holy Baritone voice, Matthew is not done yet. He rather tellingly – to my mind at least – mentions that while Joseph married Mary, he declined to consummate the marriage until after the child was born.

Why does Matthew feel the need to tell us this? Well, one of the pervading themes of the Holy Baritone voice is a preoccupation with genital penetration and sexual purity. As today’s conservative obsession with the restriction of women’s reproductive, queer, and transgender rights continues to demonstrate, this preoccupation continues a story older than time.

Let’s listen again to Matthew’s voice:

When Joseph awoke from sleep, he did as the angel of the Lord commanded him; he took her as his wife but had no marital relations with her until she had borne a son, and named him Jesus.

Although Joseph did as he was commanded, we will never know how he actually felt; however, we have a hint of how Matthew thought he might.

Hope is in the Waiting

On Advent Sunday, I explored the conundrum of time usually pictured as moving in a straight line, flowing only in one direction – from past to future. Drawing from a few lines of T.S.Eliot in his poem Little Gidding, I contended that our usual way of thinking about time, rather than describing reality, is simply a construction around which to organize our lives. What Eliot hints at is a notion of timelessness interrupting the linear flow of predictability: timelessness in which time bends back on itself—where memory and imagination meet, where, under the influence of the future, the past unsettles the present, and God’s future leans toward us with urgency.

Today on the 3rd Sunday in Advent I want to explore another conundrum – that of hope and hoping, with reference once again to a few lines of T.S. Eliot in his poem East Coker:

I said to my soul, be still, and wait without hope – for hope would be hope for the wrong thing.

Eliot is pointing us toward a distinction we rarely pause to notice between the action of hoping … and the object of our hope. That distinction lies at the heart of Advent, where, between the act of hoping and the object of our hope, we encounter the experience of waiting.

When hope disappoints us, is it because, as Eliot warns, we’ve placed our hope in the wrong thing?

So the question quietly pulsing beneath the themes in Advent is this:
How do we know whether our hope is rightly placed?

Act One and Act Two

Jesus’ fellow Jews in the first century lived with a deep, transgenerational expectation of the coming one—the messiah. A small group came to believe that this long-awaited hope had finally arrived in Jesus and that the messianic age had dawned.

But there was a problem. An enormous problem. How do you proclaim a messiah … who is dead? A dead messiah was not part of anyone’s expectations, prompting the first Christians to understand the dawning of the messianic age as a two-act process.

Act One: In Jesus—through death and resurrection—God had begun the messianic age. Act Two: What had begun would be completed when the Lord returned. Only then would God bring the long hope of Israel—and the hope of all creation—to its promised fulfillment. But it’s difficult to find ourselves living in the tension between the beginning of Act one and the still distant fulfilment of Act two. And so somewhere along the way, we Christians, especially in the Western mainline, quietly jettisoned a real expectation of a second act in the fulfillment of the messianic age.

We still say the words:

He will come again to judge the living and the dead. And Christ has died; Christ is risen; Christ will come again.

But is this still our actual expectation? Not so much.

We no longer live with any urgency around Christ’s return. Advent has become almost entirely about Act One—the Incarnation. A sweet baby. A quiet Bethlehem. A familiar story.

So when we jettison Act Two—what do we put in its place? We replace the early Christian hope of God renewing heaven and earth with a far more comfortable expectation: that when we die, we will be transported into eternal bliss. Instead of Christ coming to us, we will go to him.
Heaven is the end. Mission accomplished.

But note the subtle shift: Hope has moved from the renewal of creation to the escape from creation. A small shift with enormous consequences.

Competing Expectations—Then and Now

When John the Baptist began preaching his fiery message of repentance, many flocked to him because they thought he might be the coming one. Every Jew lived with urgent expectation. Yet, as with all expectations, there was a wide divergence about what the messiah was actually supposed to do.

Some clung to Isaiah’s great vision of cosmic renewal, which we listened to in the first reading from Isaiah 35. This is a vision of the desert blooming, the blind seeing, the lame leaping, the whole creation singing. A kind of divine re-terraforming of the earth.

Others, humiliated under Roman occupation, longed for a more political messiah.  A military leader. A racial champion. One who would restore the fortunes of Israel and make Israel great again.

Two expectations. Two hopes. Both fervent. Both biblical. Both alive in the hearts of first-century Jews.

And into this tangle of hope comes the moment in Matthew’s Gospel—with John the Baptist, now in prison, becoming afraid, unsure, increasingly doubting.

He sends messengers to ask Jesus:
Are you the one who is to come, or should we expect another?

We can imagine the roots of his doubt. John was a firebrand. He expected a messiah with a bit more muscle. A bit more judgment. A lot more nationalistic fervor.

And Jesus—wily as ever—refuses a direct answer.
He doesn’t debate. He doesn’t reassure. He doesn’t explain away the paradox. He simply says:

Go tell John what you see and hear. The blind see. The lame walk. The lepers are cleansed. The deaf hear. The poor receive good news.

In other words: remind John of Isaiah’s messianic expectation. The object of John’s hope is misplaced – his hope is hoping for the wrong thing.

Jesus aligns himself not with tribal ambition but with prophetic transformation. Not with national restoration but with justice, mercy, and renewal.

That same clash of expectations is alive today—very much alive—in the American church. Among large swaths of white evangelical Christianity, the hope is for a more muscular Jesus. A more tribal – a racially pure Jesus. A more nationalistic Jesus. A Jesus who will restore the fortunes of a particular nation, through political power at home and military strength abroad.

It is, as in the first century, hope for the wrong thing. And Jesus refuses to endorse it.

The Advent Question for Us

We who call ourselves mainstream Christians face the same choice John faced. The same choice the early Church faced. And the stakes today feel just as high.

Do we continue to ignore the New Testament’s two-act expectation, living with our eyes fixed solely on the reward of heavenly bliss? A single-act Christianity of personal salvation? A spirituality that floats above the world rather than being incarnated within it? Or do we recover Act Two—the expectation that Christ will return to this world, bringing justice to this society, healing to this creation?

Because the expectations we choose shape the lives we live.

If we believe the earth is simply the disposable staging ground before we depart for heaven, then why bother with justice? Why bother with creation? Why bother with anything beyond my personal ticket to ride the heaven-bound express?

But if we believe that God intends to redeem this material reality, then we understand our present responsibilities very differently – to become collaborators with God, agitators for peace with justice, stewards of the earth, and repairers of the breach. People who embody this hope – now—in real time.

So How Do We Know Whether Our Hope Is Right?

Let me return to the question that has been quietly humming underneath everything:

How do we know whether our hope is for the right or wrong thing?

Is our hope placed in some future escape from this world into heavenly bliss—while the world around us burns, and injustice deepens, and creation groans under the weight of greed and neglect?

Or is our hope placed in the renewal of all things— the healing of creation, the raising of what has fallen, the setting right of what has gone wrong?

Is our hope aligned with John’s early instinct for a tribal, forceful messiah? Or with Jesus’ prophetic vision of the messiah as the herald for the inbreaking of God’s justice, healing, and ecological restoration?

Enormous consequences flow from the hope we choose. Because hope is realized in the waiting, and in the spaciousness of waiting, future expectation folds back into present-time action.

Into the spaciousness of waiting time bends to flow back on itself — here memory and imagination meet, here under the influence of the future, the past unsettles the present, and God’s future leans toward us with urgency as we discover that the power of that for which we wait is already – I repeat, already effective within us.

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